Review

Concert Review: Beethoven and Shostakovich at Symphony Hall

October 3, 2017
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One of Andris Nelsons’ great gifts as an interpreter is his ability to shape and develop large-scale musical forms.

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Dance Review: Tanztheater Wuppertal Pina Bausch at BAM

October 2, 2017
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I will continue to watch Wenders’s Pina, over and over—but nothing can replicate being in the room with the real deals.

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Theater Review: ASP’s “Exit The King” – When Politics Become Absurd

September 30, 2017
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In Ionesco’s play, society no longer makes sense — even to itself.

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Visual Arts Review: Dana Schutz — A Genius or a Hot Mess?

September 29, 2017
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Dana Schutz packs evocative and unexpected narratives into confined spaces, but not all of them fit as well as she thinks they do.

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CD Reviews: Ebony Quartet’s “Unheard” and Martyn Brabbins conducts Vaughan Williams

September 29, 2017
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Ebony Quartet serves up a “must-hear” album of music from between the world wars.

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Theater Review: “WARHOLCAPOTE” — Listening to Icons

September 27, 2017
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WARHOLCAPOTE is a breezy, 90 minute tribute to American pop and gossip.

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Dance Review: DanceUP’s Compound Fractions

September 27, 2017
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Local chauvinism aside, the evening was a diverse one, at least in terms of dance genres.

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Concert Review: Andris Nelsons and Boston Symphony play Bernstein

September 25, 2017
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On the whole, this BSO Opening Night was a welcome overview Leonard Bernstein’s larger output and of his versatility as a composer.

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Classical CD Reviews: Joyce El-Khoury’s “Echo” and Matt Haimovitz’s “Troika”

September 24, 2017
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Soprano Joyce El-Khoury sings spectacularly in her new disc, Echo.

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Film Review: “Stronger” — A Moving Tale of Resilience

September 23, 2017
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What keeps Stronger from turning into a patly sentimental yarn is Jake Gyllenhall’s modulated performance.

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