Review
Kelley Donovan believes every dancer should own her movement, not just perform it.
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Just about every aspect of Loveless is executed perfectly.
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Kalinnikov’s First Symphony is one of those neglected works well worth beating a drum for.
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Skeleton Crew offers a redemptive look at a national tragedy — the financial crisis of 2008.
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Mostly, indie horror seems constrained, not by lack of funds, but by lackluster creativity and a sort of sloppy artlessness.
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This symphony is the finest synthesis of Leonard Bernstein’s considerable theatrical instincts within a concert framework, idiosyncratic and singular.
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In The Humans, Stephen Karam suggests that America can be a heaven that, in a moment, might flip into hell.
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Charles Ives continues to stand, after 140-plus years, as the ultimate American Composer.
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A kaleidoscopic small-band adventure led by one of the world’s great clarinetists, and a superbly-played set by Ben Wendel’s dynamic quintet.
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Theater Commentary: “Skeleton Crew” — Not With the Union
To my surprise, the auto union was written out of the picture from the start, as if dramatist Dominique Morisseau saw it as an embarrassment.
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