Review
Rev William Barber II has effectively demonstrated again and again what he often calls “fusion politics” across lines of race, age, and religion.
Visions Take Flight is one of those rarest of accomplishments: a contemporary music album that’s a sheer joy to listen to, from start to finish. And John Cage on guitar? Why not?
An impressive collection of nine new releases (seven of which are reviewed here). While some might not displace the classic recordings of Debussy already out there, this gathering offers some welcome and fresh interpretive contrasts.
While the push for diversity in casting is admirable, it’s not enough to resuscitate a script that feels dated, even regressive in its approach to historical storytelling.
The Barefoot Woman is lyrical but also informative and ethnographic, as much a memoir of a mother as it is of her way of life.
Armenian cultural history has always been about survival: between Armenians preserving their art within the shifting boundaries of their homeland, and carrying their art beyond the country’s borders.
Quite properly, Miles Evans evokes rather than mimics his dad’s arrangements on this excellent disc.
This year’s version – the 48th! – of The Christmas Revels is delightful and refreshing way to bid adieu to a tumultuous 2018.
Dressed in cream-colored pants, a crisp white shirt, sneakers, and big owlish spectacles with red plastic frames, Twyla Tharp played the professor in the first part of the 90-minute show.
Septuagenarian, Edwin Ayoung, better known as Crazy, easily carried the rest of the night with his exuberant performance.
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