Review
Straight White Men features plenty of conflict, but most of this wrangling comes in the form of tiresome, repetitive familial bickering.
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Now, we’re told, Trajal Harrell has been researching Butoh dance and hoochy coochy dance, hooking them up with the precursors of modern dance and slathering on generous amounts of gender theory.
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Despite its occasional confusions, this is poetry I will return to — to re-experience A.E. Stallings’ wit, wisdom, and word-smithing.
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K.K. Downing does not trash Judas Priest or its legacy, but he gives, from his perspective, an honest and believable assessment of the group and his role in it.
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Tyshawn Sorey flies far from his innovative masters. I hardly expected that the result would be so mesmerizing and alive.
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Eleanor Burgess’ The Niceties is an articulate, if structurally crabbed, expression of #blacklivesmatter anger as well as a millennial rebel yell.
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The show’s attempt at satire comes off as blunt and lecture-heavy at times, but the production still manages to be an engaging comedy of manners.
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This slender memoir reads like a rambling conversation with a literary stranger you meet on a train.
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How will PC New Englanders react to seeing nutria gunned down by hunters, and some bashed on their heads to make sure they are dead?
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In every meaningful way, The The’s return to the States, the band’s first tour in 16 years, was generous.
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