Review
Trumpeter Jason Palmer’s mastery is of the unimposing kind, which this piano-less quartet seamlessly reflects.
Once is a wonderful musical and the Speakeasy Stage production does exquisitely right by its considerable merits.
Delia Owens suggests that the only forward movement for her outsider-protagonist and “swamp trash” is to become curators of ecological/cultural museums in the very places where they once struggled for an independent life.
The Half-Light is a play about ghosts that, while offering intimations of mortality, ends up exuding a charming and infectious romantic spirit.
Greta is a slight, uninspired by-the-numbers genre film — we’ve seen this paranoia-inducing tale too often.
This is a finely-selected sampling of what some accomplished women filmmakers offered in 2018.
The Lyric Stage Company’s The Little Foxes is taut, tense, and eerily reflective of our own uneasy, pernicious times.
In very different ways and on very different topics, three recent books assuage notions that architecture/design books are formidable reads.
Anniversaries are both the bane and the lifeblood of the classical music industry as, for better or worse, three new box sets remind.
A B-movie par excellence, Greta’s the kind of unhinged and yet fiendishly well-calibrated genre fare that rarely gets afforded the attentions of a director as accomplished as Neil Jordan.
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