Review
What elevates these ordinary lives is director Kent Jones’s elegiac distance; the narrative has the feel of a memory piece.
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These satanists are far less concerned with organizing decadent ceremonies (though there is a fair bit of that, and it’s thrilling to behold) than they are with exposing corruption and hypocrisy.
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Shrill picks up narrative strength once we see Annie slowly come to terms with the yawning gap between who she is and who she has been told to be by her family, her friends, and society at large.
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This album does an excellent job of recapturing some of the glory of the original Miles Davis recordings.
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The new Broadway revival of Kiss Me, Kate removes much of the objectionable material — and a lot of the fun
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Not Medea is a stirring character portrait, a detailed examination of the ruthless demands society makes — and has always made — on women.
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Dragon Lady ‘s power lies partly in its existential authenticity, the power of the personal.
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While the orchestra’s program was almost defiantly canonical, it was played with such lightness and energy that you could forgive its disappointing safeness.
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A revival of Anna Ziegler’s absorbing and enlightening study of the brilliant British biophysicist Dr. Rosalind Franklin.
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The Ash Family is a full-color illustration of how the modern world leaves people vulnerable to radical ideas.
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