Review
The touring company of Dear Evan Hansen is every bit as good as its Broadway counterpart.
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Selling Kabul poses many questions from the point of view of people seldom represented on the American stage.
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When he is at his best, few can match Renoir’s charm and popular appeal.
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Under the Silver Lake would be infuriating were its Charlie Kaufman-inspired adventures not so entertaining.
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This is a perfect guilty pleasure, an old fashioned B-movie without a franchise, explosions, overly recognizable actors, or exhausting mano a mano violence.
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If you enjoy singing and dancing in your theater seat to the sound of good music while learning a bit about American cultural history and its personalities, you will enjoy this show.
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This year’s Montreal Jazz Festival Festival would have been more successful had it not been for all the construction ripping apart the city.
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Despite Dark’s complicated structure, the characters are motivated by utterly realistic desires and emotions, which balance the show’s more abstract elements.
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This world-premiere recording of the 1826 Paris version of Gaspare Spontini’s Olimpie makes a powerful case for a composer much admired in his own day.
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The Rolling Stones were still up there, sounding vital, and that alone delivered satisfaction.
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