Review
Two-plus hours of delight for anybody interested in Baroque opera, or willing to try it.
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Pianist Larry Goldings’ repertoire on this trio album is expertly chosen for its variety and melodic appeal.
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Max Ewing is little known today, but this book celebrates him as a sexually nonconforming bachelor who strove to impress the quirkiest bohemian clique of the Roaring ’20s.
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This exhibition is evidence of the venerable museum’s interest in expanding its collections so that more voices and perspectives can contribute to our understanding of our own complicated history.
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The 2025 edition of Boston Calling largely appealed to a younger demographic, despite highlighting some older bearers of nostalgia.
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On two recent releases, trumpeter Paolo Fresu shows us exactly what he has learned from Miles Davis, and how that has expanded rather than limited his music.
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Theater like this is especially crucial at a time of destructive national division: it is explicitly aimed at intergenerational audiences, it takes on issues that confront family and community, and it makes the experience of learning and relearning elemental democratic lessons both fun and communal.
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The story of this album is that violinist María Dueñas enters as a star but emerges as a brilliant and preternaturally thoughtful artist.
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“Caught by the Tides” eludes the narcissistic congratulation found in self-referential cinema because it absorbs Jia’s early work to create something that has the shock of the new, as much as it builds on the past.
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There’s much to recommend in Behzod Abduraimov’s rendition of Prokofiev’s Piano Concerto No. 2, which is both highly characterful and a lot of fun to listen to.
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