Review
In a film that maintains a deft, tightrope balance of tone, writer-director-star Eva Victor has delivered an acerbically funny depiction of how we learn to cope in a world where bad things can (and often do) happen.
Jon Batiste’s performance resonated with what musician Zachary Richard calls the “holy trinity” of Louisiana music: Cajun, zydeco, and “old-fashioned” rock and roll.
Violinist Lea Birringer does dazzlingly right by Sibelius and Szymanowski concertos and cellist Sheku Kanneh-Mason finds life and defiance in Shostakovich’s Cello Concerto No. 2.
Rockport Chamber Music Festival is in the midst of a stellar season. Saturday evening, the brilliant pianist (and writer) Jonathan Biss gave a sensational recital of two late Schubert sonatas—a music lover’s dream.
“When you collaborate with an audience and other artists, and you let hip hop flow and intertwine, anything goes.”
Hearing the novel’s poignant voices, we can’t help but think that in many respects the plight of poor young men in the ’hood is everywhere alike.
“Art is anything you can get away with,” said Marshall McLuhan. Three films that premiered at the Tribeca Film Festival suggest that he was right.
Chronicling acts of feminist sisterhood, “Girlfriend” memorializes a mutual support system that has been among the backbones of American life.
The book is crafted, sentence for sentence, as a seemingly impossibly layered mindscape — rich if not overripe in what must be metaphor, must be symbolism.
Film Retrospective: “Floating Clouds … The Cinema of Naruse Mikio” — Dedicated to Women’s Passions
Film scholars, programmers, and the many filmmakers influenced by Naruse Miko value him as having crafted well-rounded portraits of women and their lives across decades of Japanese cultural changes.
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