Review
There’s no doubt that the Japan-born composer/pianist/bandleader Satoro Fujii is one of the most prolific recording artists of her time.
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Watershed is an unadorned but stunning addition to the offerings at the deCordoba Sculpture Park and Museum.
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Marianne is one of the slickest horror series I’ve seen on Netflix.
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Frolic and Detour contains a few poems that I judge to be instant classics of English-language poetry.
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Director Igor Golyak takes major chances in presenting a version of The Seagull that’s self-consciously about The Seagull. And they pay off.
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This is a brilliant book that comes at a propitious time in our country’s history.
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Biographer James Kaplan was aided by the assistance of Irving Berlin’s two elder daughters, and that makes this biography particularly valuable.
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At a time when Kenneth Branagh busies himself clogging up multiplexes with bombastic Agatha Christie all-star remakes, director/writer Rian Johnson revels in subversion of the genre.
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Nearly halfway into the set, Twigs finally turned to Magdalene, which casts an empowering light on Jesus Christ’s female companion — and stands among 2019’s best albums.
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But really, what is a Bob Dylan concert these days if not a case study in transformation?
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