Review
“Project Hail Mary” is an antidote to dystopias, real and imagined.
Film Feature: From the Sewers, With Love — BUFF’s New Directors Bring the Underground Back to Boston
“It’s spring; we rise again. BUFF’s back, we’re bringing hell with us. The underground is back.” — Phil Healy, co-director of the Boston Underground Film Festival
“Rhinoceros” is a powerful wake-up call that, whether we like it nor not, we are writhing on the horns of a dilemma.
An evening where music steeped in Armenian culture was too often outweighed by the acrobatic complexities of prog rock and jazz fusion.
I cannot recall reading a more poignant and persuasive description of the inexorable descent of Alzheimer’s disease, certainly not from inside the sufferer’s mind.
In his speculative play “The Antiquities,” dramatist Jordan Harrison has no trouble envisioning earthlings in the post-human age.
“Listening to Prestige” can be read as a kind of post-literate anti-Spotify. And, lo and behold, it’s true jazz history.
Come for the frolic and high energy professional stagecraft; stay to experience this creative ensemble’s answer to: Who the hell are we, facing the end?
The Gibney Company has brought a three-work evening to town that any chamber-sized contemporary dance company in the world would admire.
“Taking a Line for a Walk: Alexander Calder & Paul Klee” and “An Imagined Dialogue: Alberto Giacometti & Mark Rothko” are touching reminders of the remarkable kindness inherent in making art – the desire to reach across time and space to offer something to another.
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