Review
It’s hard to imagine anyone connected with the movie world who is not appreciative of Phillip Lopate for the grace and intelligence and knowledge he has brought to film criticism.
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There are already countless fine documents of the Sibelius Concerto, but Canadian violinist James Ehnes finds new angles from which to examine this favorite; Frank Dupree is a dexterous keyboardist whose grasp of Nikolai Kapustin’s jazzy style is assured.
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The group presented a program of edgy music with the bloom of youth.
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You can get away with being familiar with just an album or two, but Laura Nyro’s music always rewards repeated listenings, and following her mercurial career so thoroughly restores her to three-dimensional life.
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The Vijay Iyer Trio creates an atmosphere that becomes so intense listeners are compelled to share the vibe.
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The symbolism here can grate loudly against reality. Those panels extolling the creativity and stoic virtues of the American working class clash with the ways workers were actually treated during the Gilded Age.
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The most recent in an apparently boundless reservoir of Beatles documentaries will “please please” their fans.
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Kevin Puts’s mesmerizing song cycle probes the passion, loss, and resignation in the relationship between the artists Georgia O’Keeffe and Alfred Stieglitz.
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We should be grateful to Rus Bradburd for giving us an opportunity to laugh as the forces of marketing and ignorance steamroll — ominously and without sufficient kickback — across the academic landscape.
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In “Feh,” Shalom Auslander confronts being middle-aged, a time of life that, given his external circumstances, you would think he would be celebrating. But, instead of kvelling, he’s sunk, hilariously, in the depths of despair.
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