Review
A quirky mini-series that’s filled with mundane yet magical LA vibes and subtle supernatural sparkle.
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Ben Whishaw crackles aplenty in Aniel Karia’s fresh and primal debut feature.
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At the ICA, artist Raúl de Nieves’s work is playful, joyful, and up for interpretation.
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I can still feel the exhilaration, the rush of the opening of things, from that day.
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A quartet of highlights from this year’s Toronto International Film Festival: Anatolian Leopard, Dashcam, One Second, and Dug Dug.
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One could hardly ask for more persuasive Bruch advocacy than what the Nash Ensemble offers here.
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Is Amy Bonnaffons saying that heterosexual love is doomed? Probably not. But she gives no indication it can work in the world she creates here.
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The Temple University students in this fine big band homage to the late saxophonist/composer Jimmy Heath sound professional — tight and well rehearsed. They are joined by all-stars Joey DeFrancesco and Christian McBride.
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Here is an outstanding recording from the Escher String Quartet of music by two stylistically divergent 20th-century American composers, Samuel Barber and Charles Ives.
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You would never suspect from this big ol’ rock ’n’ roll show that The Black Crowes was essentially toast just a few years ago.
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Arts Feature: Best Movies (With Some Disappointments) of 2025