Review
“When you play with authority, then that’s what the music is about, like ooooh baby, and sing it.” — Cecil Taylor
With the eyes of the world on Ukraine right now, two films at Sundance came from that country, or what used to be that country.
Tenor Mathias Vidal shines, as does the period-instrument orchestra, in the rarely heard, trimmer version of 1761, on the Chateau’s own new award-winning label.
Make what you will of this often page-turning confection, which if not particularly literary, may be a bunch of fun.
The Pink Cloud is a fascinating watch by sheer virtue of its accidental prescience.
Mel Brooks called Ronnie Scott’s Jazz Club “a little nest of happiness. All our recent wounds are healed there.”
Dramatist Lydia R. Diamond makes an honorable effort to adapt Toni Morrison’s novel to the stage, but with mixed results.
In this collection, Carolynn Kingyens discloses what lies behind the veneer of our relationships.
What is the most depressing thing about Pam & Tommy? The series provides the most sympathetic portrait of Pam Anderson that is out there.
If this film accomplishes anything, it’s to remind us of how much we lost when Jimi Hendrix died.
Recent Comments