Review
Continuous Creation is a deceptively slight book from an incontrovertibly substantial poet.
Opalescent’s overriding aspect is celebratory – but from a variety of angles.
Three looks at love that may help generate some interesting conversations about what love means in the lives of children.
Kirsten Greenidge’s epic comic drama is a spot-on examination of the challenges changing times pose to evolving families.
The Survivor examines what happens to someone who made the decision to survive in Auschwitz — no matter how.
The Northman is grounded in a manically precise capture of the Nordic world of the 9th century AD, but refracted through the lens of a whacked-out visionary in a spew of eye-popping images.
The emphasis isn’t on gratuitous sensuality: Gentleman Jack’s throes of passion are designed to reveal more about the psychological makeup of its characters.
Considering his loopy career and also his bumpy off-screen life, Nicolas Cage seems neither ashamed nor apologetic about how it’s all gone down.
It is invaluable for the world to have an in-depth account from someone who passed through the Xinjiang re-education system and was brave enough to tell the tale.
Live in Paris: The Radio France Recordings 1983-1984 is an example of solid, appealing late Chet Baker, doing what he did best with standards and the occasional original.
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