Review
As with many horror and action films (and probably much of real life), the build-up is better than the eventual resolution/climax.
This year the Camden International Film Festival, which may be the finest documentary film festival in New England, examines the importance of place.
Reboot is a razor-sharp sitcom about the world of sitcoms and represents Steven Levitan’s triumphant return to comedy.
What we have here is the voice of one trying to navigate, endure, rise above, and somehow pacify a tapestry of cruelty and grief, while it struggles to find the words and voice that will do the work.
Honk for Jesus. Save Your Soul. would have been wise to stick to being a conventional mockumentary, a sardonic deconstruction of its target, the megachurch.
In this genial, colorful memoir, Leslie McFarlane reveals the long path to how, anonymously, he became author of the most best-selling series of boys’ books in publishing history, twenty million volumes and counting.
Having just triumphantly ended its sixth and final season, Better Call Saul could be seen as the story of a man who thrives under pressure while he’s gaming the system.
Babysitter tackles the ambiguities of misogyny head-on in a 35 mm sugar rush of magical suburban realism.
A relatively short-but-sweet night that struck just enough highs and no real lows – as long as one accepts that Van Morrison gives more heed to covers than his own hits.
Television Review: “The U.S. and the Holocaust” — Vital Questions Left Unanswered
The U.S. and the Holocaust leaves a vital question unanswered: Is this the kind of nation we want to live and worship in?
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