Review
If there ever was anyone to handle Hayim Nahman Bialik’s broad, impressive, and impressionistic craft with the acute passion, it is scholar and poet Peter Cole.
The script focuses on the internal struggles that made Eleanor Roosevelt an uncomfortable wife, rather than taking a deeper dive into the moral and progressive vision that made her such an admirable first lady.
While not without its flaws, the series proves that traditional TV cop drama can be given a new spin, and it is especially gratifying when the innovation involves kick-ass women.
“Saul “may be an oratorio, but it’s about as operatic as one can get.
Director Raoul Peck, like his subject George Orwell, encourages critical thinking and urges us to consider how best to resist the strengthening forces of tyranny.
“Nuns vs. The Vatican” prepares its audience for an ongoing story that is expanding each time one more victim agrees to talk publicly. Do not doubt that there will be a sequel.
If only every billionaire could be forced to work as a food delivery driver and learn the true meaning of Christmas.
The Berkshire Theatre Group production of “Metamorphoses” is consistently engaging and, at times, deeply powerful.
Tron: Ares hurries from one spectacular concept and one spectacular set piece to another. But it doesn’t take the time to let any of those remarkable things sink in.
“Father Mother Sister Brother” invites you into a space of present-ness where you need to slow down and re-set your metabolism. It invites you to tune out all the noise and sit with the silences between people. A daring ask in a digital world where everyone’s glued to their screens the better to pick up the noise.
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