Review
“Job” is not so much a game of cat-and-mouse as a highly pressurized coffee klatch.
In this collection, Vincent Czyz’s imagination covers extensive geographic and historical territory, creating maps whose borders are drawn with the vigor of a nuanced moral temperament.
How often do we see movies that successfully delve into what it means to become a mature adult after a traumatic childhood?
Fans of this ongoing horror narrative will find much to appreciate in its latest chapter.
Shame’s latest record and Monday’s holiday show at the Brighton Music Hall both prove the twin-guitar quintet has matured in sound and spirit while still flashing youthful spunk.
For all its rewards as a gross-out experience, “The Doctors’ Riot of 1788” has an ethical question at its core: does the search for medical knowledge outweigh our respect for human life and death?
Jim Jarmusch’s films resist cliches and conventional dramatic formulas — understatement is the rule.
Reflecting on our divisive politics, BSO music director Andris Nelsons told the concert audience that “Every tunnel has light at the end.”
Enjoy an instant classic for kids and an established classic that is newly available.
“Turn a Midnight Corner” is one of those records that has the right mix of risk and guile. It doesn’t so much tell a story as summon one, track by track.
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