Review
2025 turned out to be a feast year for devotees of soprano saxophonist Jane Ira Bloom. The music found on both of these releases could be thought of as exemplifying three areas Bloom has explored in depth and refined to purity.
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Applying a litmus test to art — in this case ideological sanitizing — inevitably diminishes the art.
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Appreciations of three remarkable translated works that have preoccupied me for months.
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The title of this revelatory book might suggest that it’s limited to uncovering the deficiencies and biases of a particular profession. But “The Coroner’s Silence” is far more than that.
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It can’t be denied that “Marty Supreme” is effective as a wild trip. It’s an immersive experience — not an analysis of its self-adoring anti-hero.
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What’s harder … performing comedy onstage or making a marriage work?
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In “Myokine”, the ensemble itself is under interrogation: can these dancers connect enough to rescue each other? Can they form bonds of solidarity?
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Poet John Berryman’s choice of minstrelsy in his “Dream Songs” is not just a distraction that can be explained away by aficionados — it is impossible to excuse or forgive.
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Our critics salute the year’s outstanding productions, with some commentary on the state of the art.
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Book Review: “Unfinished” Argues for AI as an Artistic Partner — But at What Cost?
“Unfinished” supplies a thoughtful analysis of the relationship between music, musicians, and AI.
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