Review

Classical Concert Review: Pianist Martin Helmchen  — Balancing Bach with Subtlety and Flair

December 7, 2022
Posted in , , ,

In his Celebrity Series debut, pianist Martin Helmchen performed a mostly vivid and colorful evening of Bach.

Doc Talk: Two New Documentaries about Political Terror Hit Close to Home

December 7, 2022
Posted in , ,

Two powerful films about fending off violent threats, xenophobic and fascist.

Book Review: “Barred: Why the Innocent Can’t Get Out of Prison” — Blind Justice

December 6, 2022
Posted in , , ,

Daniel S. Medwed demonstrates just how astronomical the odds are against anyone who tries to question a guilty verdict, no matter how suspect the conviction.

Classical Album Review: Rued Langgaard’s Symphony No. 1

December 6, 2022
Posted in , , ,

For balance and virtuosity, the Berlin Philharmonic Orchestra plays Rued Langgaard’s “Klippepastoraler” for all it’s worth. That just doesn’t end up being very much.

Classical Album review: Clarinetist Anthony McGill’s “American Stories”

December 5, 2022
Posted in , ,

These stories occupy their own, distinctive spaces but they share something intangible. A kind of humanity, maybe? Perhaps.

Film Review: “Sr.” — Positive, Funny, and Insightful Senior Moments

December 5, 2022
Posted in , ,

An unconventional documentary explores the career of unconventional filmmaker Robert Downey Sr.

Concert Review: The Tedeschi Trucks Band at the Orpheum Theater — Beginning a New Phase

December 4, 2022
Posted in , , , ,

This is a band as capable of being as spry and unpredictable in its 12th year as it was in its first.

Jazz/Film Review: “An Evening of Jazz Healing” — A Thing of Beauty and Sharing

December 3, 2022
Posted in , , , ,

Jazz, in particular, seemed to not merely satisfy Justin Freed’s inner cravings for beauty, but it led him outwards, to others, eventually inspiring some of the key relationships in his life.

Chiptune Album Review: YMCK’s “Family Innovation” — 8bit Cynicism Toward Web 3.0

December 3, 2022
Posted in , , ,

In its ninth album, YMCK shows that it is becoming self-aware. They are no longer just avatars we are to identify with, but also (satirically) the corporate entity behind them, a corporation preoccupied, like all others, with innovation.

Poetry Review: “One Hundred Visions of War” — Haiku in No Man’s Land

December 1, 2022
Posted in , ,

This is a grim and uncomfortable book to read because it forces us to contemplate each small poem separately and then take them all together, a hard but necessary exercise.

Recent Posts

Popular Posts

Categories

Archives