Review
These new mixes and remixes of the source material, outtakes, and scintillating live cuts show how The Replacements were one of the greatest bands to ever not care much about being one.
A stirring trio date featuring John Scofield on guitar with Vicente Archer on bass and Bill Stewart on drums.
Bill Frisell fans were blessed to hear the Denver-bred, Berklee-schooled guitar savant at a massive multi-space facility that might offer the state’s most awe-inspiring concert hall.
Despite a slow first half, “The Devil on Trial” picks up speed and suggests that the truth can be more infuriating than fiction.
Closing out coverage of the London Film Festival: films from Catherine Breillat, Michael Winterbottom, Luna Carmoon, Robert Morgan, and Daniel Kokotajlo.
Anna Webber’s latest disc of fascinating arrangements and complex sounds is nothing if not adventurous.
Will Hermes reveres Lou Reed’s music, and he expounds on his love in this voluminous, well-researched biography.
The show was proof that Queen + Adam Lambert are quite capable of mixing things up, even as they give everybody exactly what they’ve come to hear.
A concert whose music served as a prayerful elegy for a world spinning out of control.
Book Review: “Pleading Out: How Plea Bargaining Creates a Permanent Criminal Class”
Dan Canon provides not only the statistics but powerful stories to demonstrate the extent to which plea bargaining has bankrupted the justice system
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