Review
Love and lightness (if often at intersections with death and faith) filtered through many of the songs in Nick Cave’s sonically naked “solo” concert.
“Mami Wata” beautifully cracks open a world Western eyes either blatantly ignore or seldom get to experience on screen.
The first of three review round-ups from this year’s London Film Festival’s excellent slate of films.
“Archive” sprung from Sofia Coppola’s desire to record what her mind’s organized chaos says about her and her films.
The fury H&H’s new artistic director Jonathan Cohen delivered in this performance made “Israel in Egypt” and its timeless story ring with renewed vigor.
This is a Strindbergian dance to the death between a powerful, accomplished woman and a husband tormented by his own sense of failure.
These essays and poems present incarcerated men and women as nothing more or less than our fellow humans.
Werner Herzog likes the odds in “Every Man for Himself and God Against All.”
Ten years on, Andris Nelsons’s retains his remarkable gifts for expressing the raw power of music with dazzling panache.
The Israeli-born composer, a professor at Gettysburg College, composes music that intrigues the mind and glistens with fresh sounds.
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