Review
My Morning Jacket remains one of rock’s best live acts, and a stylistically broad one. And more bands should be so generous in not only representing their entire catalog but mixing up the song selection every night.
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The Chameleon Arts Ensemble shed new light on Ernest Chausson’s quartet in A major, Op. 30, the very model of Belle Époque verve and melodicism.
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This thoughtful documentary watches cinemas vanish from a Brazilian city.
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These three books celebrate different kinds of gifts: two from nature — and one that comes via the post office.
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Even before the lights come up on the remarkable new production by Moonbox Productions, it is clear that this is a “Sweeney Todd” of a different order.
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“Killers of the Flower Moon” is an exercise in kaleidoscopic, cubist storytelling that is, among other things, an epic on the art of the grift.
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Strangely, Paul Landis makes no acknowledgment of the implications of the evidence he attests to, namely that neither Lee Harvey Oswald nor any other single gunman could have acted alone.
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These new mixes and remixes of the source material, outtakes, and scintillating live cuts show how The Replacements were one of the greatest bands to ever not care much about being one.
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A stirring trio date featuring John Scofield on guitar with Vicente Archer on bass and Bill Stewart on drums.
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Bill Frisell fans were blessed to hear the Denver-bred, Berklee-schooled guitar savant at a massive multi-space facility that might offer the state’s most awe-inspiring concert hall.
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