Review
Breezy as “Hit Man” is, there’s a sting to this romance’s tail.
If the show had its format tweaked a little bit, it might hit a sweet spot: somewhere between “The Daily Show”’s investigative reports and Conan O’Brien’s zanier segments.
Now that the pandemic dust has settled, Dalia Davis’s album warrants excavating and shining a long-awaited spotlight on.
Part of the pleasure of reviewing Skylark’s performances is to spread the word: this vocal ensemble is nothing short of amazing.
Over the course of Neil Young and Crazy Horse’s two-hour show the tension between magnificent creativity and near collapse were palpable.
Sir Simon Rattle revisits the music of Benjamin Britten and Elim Chan once again draws on her remarkable ear for detail.
“Soul & Salvation” is a short album, and you’ll be sorry when it’s over. It’s hardly an essential album in Dizzy Gillespie’s long discography, but you won’t regret giving it a listen.
What have you done to prevent the end of the world? A quartet of documentaries in this year’s Global World Film Festival offer different answers to this nagging question.
The performance of John Adams’s “City Noir” is swift and characterful, though sometimes pushed perhaps a bit too hard for its own good. The rendition of Leonard Bernstein’s “Serenade” is clear but a bit too safe.
Book Review: Finding Well-Paid Work After Graduation — The Luck of the Draw
Readers interested in understanding how typical Americans transition from college to work should savor this provocative book.
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