Review
“Big George” is polished, tonally elegant, and beautifully recorded
Margot Livesey has given us an exhilarating historical novel filled with fascinating details of a different time in an isolated part of the world, all rendered in gorgeous prose.
Bob Dylan’s music has rarely been more heartbreaking, his poetic storytelling rarely more beguiling, and the singing never less nasal.
“Love Lies Bleeding” is a glorious work of sweaty, dusty, pulp filmmaking.
At a time when it seems as if the world is spinning out of control, steeped in anonymous violence, a Jack Taylor novel provides a front and center opportunity to contemplate doing something about the issues in our own backyard.
Here’s a trio of organ trios from a new generation of players indebted, but not chained, to the classic jazz format and style that has been dominant since Jimmy Smith in the ’60s.
Noora Niasari’s personal involvement elevates “Shayda” above melodramatic Lifetime fare: this is a compellingly warm tribute to the Iranian director’s mother.
Rejected in Gluck’s time because it lacked dramatic thrust, today “Écho and Narcissus” proves to be a candy-box of delights.
This exhibit at the Brickbottom Gallery does a good job of capturing the unexpected moments and surprises that we experience in a city.
Flamenco is big, bold, and fully human as it (often) traces the tensions of courtship, indulging in the sensual and the aggressive.
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