Rock
Anybody at Tuesday’s show who thought the members of Kraftwerk were just punching buttons at their static posts while audiovisuals surged automatically would be mistaken.
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The sheepishly affable Trey Anastasio wisely focused on music, allowing him to play a broader representation of his repertoire across two hours and 25 minutes.
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Timelines bounce a bit through the loosely organized, vignette-rooted book, where the back half casually weaves through a checklist of characters and tales not to be missed.
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The singer/guitarist rolls the dice every night, playing it loose and gritty with drummer Patrick Keeler, bassist Dominic Davis, and keyboardist Bobby Emmett, who deftly hack away at revolving song choices from White’s broad catalog and beyond.
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There are similarities between Randall Blythe’s music and his prose; both acknowledge the inescapable turmoil, darkness, and tragedy that bedevils everyone.
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Jerry Cantrell of Alice in Chains and I talked about the making of his latest recording, his most recent two solo albums versus his previous two, and his thoughts about his Boston fans.
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Predictably, Chuck Prophet’s brand of rustic rock ’n’ roll gets a bit of a makeover by the members of the Cumbia band ¿Qiensave? But let me reassure you — this is another gem of a Prophet album.
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Bottom line: “Live at the Montreux Jazz Festival 2023” captures the manic, mercurial energy that transformed the man born James Osterberg into the legend that is Iggy Pop.
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“There are no weak spots; I feel happy and confident with how every song came out.”
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Our popular music critics pick some of the standout albums and performances of 2024.
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