Rock
Darkness is pervasive in this Cowboy Junkies album, but it is not all-encompassing.
Sigma Oasis is one of Phish’s better albums since the group reunited in 2009 after a five-year breakup.
Childish Gambino is hamstrung by ambition, but 3.15.20 still contains a bevy of enjoyable songs, including one or two tracks that brush against brilliance.
Bob Dylan’s new song not only articulates the madness that undermines the American experience, but supplies a certain kind of corrective, a tonic, for that kind of insanity.
The new album demonstrates just how versatile a singer/songwriter Mike Mattison really is.
Ironically, Mixing Colours is best experienced by taking in its video presentations.
At its best, The Slow Rush features catchy, energetic, and danceable tracks at the service of lyrical ruminations on dark topics, such as uncertainty and the inevitable passage of time.
Adam Sherman, Cambridge-based musician, voice teacher, and vocal coach never went away.
At 70, Marcia Ball is a non-stop pro, particularly at pacing. Early barn burners gave way to the slow blues of “Just Kiss Me.”
Circles Around the Sun has established a distinctive niche within the expanding universe of “Grateful Dead as genre,” appealing to the core audience for Dead music without having to pull songs from the group’s songbook.
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