Rock
Sigma Oasis is one of Phish’s better albums since the group reunited in 2009 after a five-year breakup.
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Childish Gambino is hamstrung by ambition, but 3.15.20 still contains a bevy of enjoyable songs, including one or two tracks that brush against brilliance.
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Bob Dylan’s new song not only articulates the madness that undermines the American experience, but supplies a certain kind of corrective, a tonic, for that kind of insanity.
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The new album demonstrates just how versatile a singer/songwriter Mike Mattison really is.
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Ironically, Mixing Colours is best experienced by taking in its video presentations.
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At its best, The Slow Rush features catchy, energetic, and danceable tracks at the service of lyrical ruminations on dark topics, such as uncertainty and the inevitable passage of time.
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Adam Sherman, Cambridge-based musician, voice teacher, and vocal coach never went away.
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At 70, Marcia Ball is a non-stop pro, particularly at pacing. Early barn burners gave way to the slow blues of “Just Kiss Me.”
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Circles Around the Sun has established a distinctive niche within the expanding universe of “Grateful Dead as genre,” appealing to the core audience for Dead music without having to pull songs from the group’s songbook.
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The band has tackled the Trump era with an urgent political edge on two recent albums that have surely lost them a share of good ’ole boys who were part of earlier audiences.
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Arts Feature: Best Movies (With Some Disappointments) of 2025