Rock
In this overstuffed show, Sturgill Simpson presented himself as someone who, after too long away from the stage, was back because he was in love with playing for the sake of playing.
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“Every record makes the setlist better because we get to keep the things that have really been killin’ and then do things that make you push yourself because these are songs that you haven’t played in several years.”
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Now, at least through mid-December, bassist Tony Levin – also a prolific photographer and blogger on tour — remains happy recasting King Crimson dreams each night with Beat
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Just weeks apart, two different groups have made their way to Boston on international tours – without Robert Fripp but with his blessing – their shows focusing on a specific era of King Crimson’s existence.
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Saturday’s finale of a two-night Roadrunner stand, the Dresden Dolls’ first Boston shows since 2017, raged as a celebration of camaraderie and catharsis.
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“We want everyone to come and let out a primal scream,” said Amanda Palmer of the Dresden Dolls.
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Most of the night’s visually tilted action took place within a tightly framed stage that made the presentation seem somewhat detached.
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Oh He Dead’s new album carries a unified punch as it interweaves meditations on dark subjects: mortality, polarization, and how life isn’t always sunshine and rainbows.
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Legendary guitarist Warren Haynes talks about how his upcoming album, Million Voices Whisper, was put together and what it is like to perform in front of Boston crowds.
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Tedeschi Trucks Band demonstrated the difference between actively engaging in a musical tradition versus paying tribute to it.
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