Rock
Converge bassist Nate Newton joked that, if it were left to him, he would have called this event “The Night of Seven Savage Weirdos”. Though when everything finally came together, even more weirdos were added to the mix.
The group’s arc over three nights celebrating 35 years clearly followed an upward trajectory, displaying moe.’s improvisational prowess and sense of communal fun.
If ever there was a musical act and a venue perfectly suited to each other, it would have to be the Wailin’ Jennys, the harmony-laden Canadian folk trio, and the Groton Hill Music Center.
‘60s pop aficionados know there’s more to The Cyrkle than its Fab Four connections.
While one hopes that never-before-released live shows are found and released, it is nice to revisit the start of Brian’s Wilson’s second-chance career.
There was little doubt that the singer owned every note with a pure sense of conviction — and community — that blew past rock-star trappings.
Seasoned fans were most likely to appreciate My Morning Jacket’s generous — if imperfect — sprawl.
One of the best things about the 40-minute selection from “The Lamb Lies Down on Broadway” that stood at the center of guitarist Steve Hackett’s near-three-hour show was its focus on the music without visual bolstering.
“Vinyl is special because it makes the music less disposable, it makes listening a little less convenient. There is something tactile for people to hold and look at, an object to cherish.”
Arts Remembrance: Donna Jean Godchaux — She Brought Soul and Grace to the Grateful Dead
Donna Jean Godchaux changed the Grateful Dead – adding a Southern accent and feminine energy to this rough-hewn psychedelic troupe – and the Grateful Dead changed Donna Jean Godchaux – elevating her from session singer footnote to jam-scene royalty.
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