Rock
The veteran English art-rocker gave a slow-to-develop but brilliant near-three-hour show that tapped stunning visuals while evolving from the cerebral to the celebratory, culminating in a joyous “In Your Eyes.”
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“I always thought this would last six months,” confesses Melvins guitarist, singer, and songwriter Buzz Osborne. “You really can’t count on anything.”
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Godspeed’s left-wing view was most clearly reflected at a merch table dominated by books on working-class resistance and anarchism, while the group’s dissonant post-rock embodied tension.
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“Blood In the Tracks” delivers a minor miracle: a host of fresh looks at the most (over)written about musician of our age.
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The band’s performance was stellar. Its setlist was on point: a bit of the new, a bit more of the early stuff, and a whole lot of “AM.” In America, in 2023, that’s just good fan service.
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The truth is the Beatles wouldn’t have been the Beatles without Abbey Road, and Abbey Road wouldn’t have been Abbey Road without the Beatles.
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There was no doubt guitarist Chuck Garvey was already up to the task, sealing the grit and heart necessary to return moe. to jam-bound heights.
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Karina Rykman’s rookie recored, “Joyride,” delivers a beguiling blend of pop smarts and psychedelic proclivities.
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Languid sameness dominated the Wang concert at times, though the acoustic strings and subtly submerged horns and percussion made the sonic scope of Sigur Rós’ music more delicate and human.
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The album may be loose and jagged, but there are no half-baked moments because Andrew Bird’s ear for rhythm, and his impressive improvisational skill, are too inventive to ever be dull.
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