Rock
Fun may seem like a relative term for a singer who performs fragile, melancholy songs in dim stage light and doesn’t allow photographers, though cell phones rose like stars in her galaxy to record videos.
The eighth iteration of “Which Side?” was a wild success, mixing musical genres from reggae to old-school Boston punk and punctuated by two moving (and brief) speakers.
Puscifer is alarmed that so many values, including bedrock rights, are under attack, with real people getting hurt (in some cases killed) in the process.
Shame’s latest record and Monday’s holiday show at the Brighton Music Hall both prove the twin-guitar quintet has matured in sound and spirit while still flashing youthful spunk.
“Turn a Midnight Corner” is one of those records that has the right mix of risk and guile. It doesn’t so much tell a story as summon one, track by track.
Bob Weir protected the integrity and idealism of the Grateful Dead’s music, playing the band’s songs year after year with a sense of wonder that he never lost touch with.
The Disco Biscuits chose Boston as its base for a three-night New Year’s run that unfolded in three different venues.
This past weekend, Goose wished fans a festive holiday season with a Victorian-inspired carnival extravaganza.
For heavy music fans, the Saddest Day was a very good day.
Wednesday’s show proved that The Dream Syndicate more than honors both its past and present with passion and precision.
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