Rock
The group’s arc over three nights celebrating 35 years clearly followed an upward trajectory, displaying moe.’s improvisational prowess and sense of communal fun.
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If ever there was a musical act and a venue perfectly suited to each other, it would have to be the Wailin’ Jennys, the harmony-laden Canadian folk trio, and the Groton Hill Music Center.
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‘60s pop aficionados know there’s more to The Cyrkle than its Fab Four connections.
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While one hopes that never-before-released live shows are found and released, it is nice to revisit the start of Brian’s Wilson’s second-chance career.
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There was little doubt that the singer owned every note with a pure sense of conviction — and community — that blew past rock-star trappings.
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Seasoned fans were most likely to appreciate My Morning Jacket’s generous — if imperfect — sprawl.
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One of the best things about the 40-minute selection from “The Lamb Lies Down on Broadway” that stood at the center of guitarist Steve Hackett’s near-three-hour show was its focus on the music without visual bolstering.
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“Vinyl is special because it makes the music less disposable, it makes listening a little less convenient. There is something tactile for people to hold and look at, an object to cherish.”
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At a time when the world’s aflame, David Byrne ignited creative camaraderie, a dazzling experience that lingers in mind and spirit.
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Arts Remembrance: Donna Jean Godchaux — She Brought Soul and Grace to the Grateful Dead
Donna Jean Godchaux changed the Grateful Dead – adding a Southern accent and feminine energy to this rough-hewn psychedelic troupe – and the Grateful Dead changed Donna Jean Godchaux – elevating her from session singer footnote to jam-scene royalty.
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