Rock
Shame’s latest record and Monday’s holiday show at the Brighton Music Hall both prove the twin-guitar quintet has matured in sound and spirit while still flashing youthful spunk.
“Turn a Midnight Corner” is one of those records that has the right mix of risk and guile. It doesn’t so much tell a story as summon one, track by track.
Bob Weir protected the integrity and idealism of the Grateful Dead’s music, playing the band’s songs year after year with a sense of wonder that he never lost touch with.
The Disco Biscuits chose Boston as its base for a three-night New Year’s run that unfolded in three different venues.
This past weekend, Goose wished fans a festive holiday season with a Victorian-inspired carnival extravaganza.
For heavy music fans, the Saddest Day was a very good day.
Wednesday’s show proved that The Dream Syndicate more than honors both its past and present with passion and precision.
Converge bassist Nate Newton joked that, if it were left to him, he would have called this event “The Night of Seven Savage Weirdos”. Though when everything finally came together, even more weirdos were added to the mix.
The group’s arc over three nights celebrating 35 years clearly followed an upward trajectory, displaying moe.’s improvisational prowess and sense of communal fun.
If ever there was a musical act and a venue perfectly suited to each other, it would have to be the Wailin’ Jennys, the harmony-laden Canadian folk trio, and the Groton Hill Music Center.
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