Popular Music
Four players bridged divergent worlds and styles from bluegrass and jazz to Indian and Western classical music while taking virtually no time to lock in together.
Boston Calling has evolved into a smorgasbord of everything from indie to mainstream, from pop to hip-hop to hard rock.
Now that the pandemic dust has settled, Dalia Davis’s album warrants excavating and shining a long-awaited spotlight on.
Josie Lowder debut solo album “Here To Love” is more than a reminder of how good she was — it stands as incontrovertible evidence that she has grown as an artist and especially as a songwriter.
Penning some of the most beautiful and harmonious tunes for the Wailin’ Jennys over the group’s two decades, Ruth Moody always envisioned a solo career to complement her Jennys output.
A powerful performer and artist emerges in this ambitious album about being publicly ostracized and maligned — and coming back stronger.
Some at times sentimental observations of New Orleans’s “other” massive music confab, the French Quarter Festival.
Sessanta succeeded in making “old” songs and “old” bands sound powerful, vital, and progressive.
“Swingin’ Live at the Church in Tulsa” is a snapshot of a vibrant octogenarian artist who is still moving forward.
Music Commentary: New Orleans Jazz and Heritage Fest versus French Quarter Fest
Which is the best fest? It’s up for grabs.
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