Music
“I’m going to be 80 in October, and what a way to spend your 80th year on the planet, to be able to go out and do rock ‘n’ roll shows everywhere!”
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What seems remarkable here is the way that trumpeter Tomasz Stanko enters into unplanned conversational interchanges, including flickers of wit, with the other members of the quartet.
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Pavel Kolesnikov and Samson Tsoy’s debut CD is breathtaking, released a few months after the pair’s acclaimed performance at Carnegie Hall earlier this year.
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It has been nearly 20 years, but Third Coast Percussion has managed to retain its uncanny freshness and vitality.
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A trio of Latin-themed jazz albums that range from the best of the year to an uneven debut effort.
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Four players bridged divergent worlds and styles from bluegrass and jazz to Indian and Western classical music while taking virtually no time to lock in together.
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French opera arias, many recorded for the first time, by the enchanting tenor Cyrille Dubois. The vocal treasures here include a stirring 1842 denunciation of slavery in the Caribbean.
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Witty, varied, played warmly and arranged dexterously, avoiding the glum, the explorations on “A Second Life” should please just about every jazz fan.
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There’s no question that either the violinist or the orchestra are completely at home with Julia Perry’s larger style or the notes: this is about as confident and secure a first recording as they come.
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Returning to Gillette Stadium in Foxborough on Thursday night, the Rolling Stones, miraculously, sounded dangerous again.
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