Music
Juventas’s commitment to classical music in the present tense makes it the only professional ensemble of its kind devoted specifically to the music of emerging composers.
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Given the age of the recordings and peculiarities of the venue, the sound quality is very good — certainly more than good enough given the historical value of the amazing music captured therein.
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Here are two new and very different records from virtuosos of the jazz harmonica, both seasoned pros, and one of them deserving of much wider recognition.
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Three guitarists — Bill Banfield, Ray Obiedo, and Lee Ritenour — release superb albums.
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Performing with the Boston Landmarks Orchestra, dynamic Canadian violinist Adrian Anantawan made music by Piazzolla and Florence Price burn blue hot.
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In Handel’s day, excerpts from his operas were often played at home, without singers. They sound great on this new recording by the group humorously (and quite inaccurately) called False Consonance.
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“Just like a rejuvenated marriage, we feel as if we can conquer anything. We’re excited, we’re excited to continue doing what we do, make music, tour, and see what comes of it.”
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We have a recording of “Déjanire,” its first ever. And it’s splendid, with a superb cast, an insightful conductor, and the orchestra and chorus of the very city in which it was first performed a century earlier!
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The band’s performance at the Sinclair proved that the Chameleons are back in vintage form.
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Conductor Christopher Wilkins and Boston Landmarks Orchestra routinely present serious, challenging programs: but there is always room left for some partying.
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