Music
WAM’s Chamber Music Series is a model for what chamber music performance ought to be: excellent musicians performing in a small space with a rather informal air to the proceedings.
The first in a series of Fuse podcasts. This inaugural (and experimental) outing samples the best in underground music.
The Dropkick Murphys shipped up to Lowell for their 2012 St. Patrick’s Day concert, and the Arts Fuse was there.
Section by section, Cantata Singers & Ensemble are as good as choral groups get, which in this town of dozens of choruses, says quite a lot.
Ms. Son’s performance of Debussy’s Preludes nos. 3 – 8, while mostly note-perfect, was marked by a tentativeness that kept any of them from really blossoming.
When the Boston Jewish Music Festival presented a special afternoon of Lazar Weiner’s Yiddish Art Songs, it became clear that it’s time for a reappraisal that will bring these small, intense gems back into broader musical circulation.
When the jazz composer is the soloist, which is usually the case, he or she ironically revives one of the most venerable traditions in classical music.
This month I am simply listing concerts I expect will be great. My pick of the month is the Boston debut of a new Flute, Viola, and Harp trio, starring instrumental superstars Marina Piccinini, Kim Kashkashian, and Sivan Magen.
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