Music
Swarms in the train station! Improv in the library! Video game hits and poetry! Must be Jazz Week–and there’s plenty more, including a major CD release by Argentinian bassist Fernando Huergo paying tribute to the land of the Albiceleste.
Don’t expect a standard musical. Think of Fela! as an immersive, artsy, concert experience featuring virtuoso displays of dance and musicianship.
Directed ably by Joel Zwick, a long-time collaborator of Hershey Felder’s, the excellent Maestro: Leonard Bernstein includes the performer singing, playing the piano, and conducting as well as telling stories.
Jazz songs by composer John Harbison? An ensemble devoted to the music of Björk? A quartet taking over a theatre and breaking the “fourth wall”? Jazz Week 2012 stakes out territory on the permeable boundary where jazz encounters other genres and even other art forms.
May brings a solid selection of shows. The highlights are definitely Pole, Black Dice and Grass Widow. Have fun out there!
While jazz and classical Hindustani music, tap and kathak, share a number of striking elements, the collaboration presented in India Jazz Suites is not about “fusion.”
Between songs Touré and Raichel conferred inaudibly with one another, deciding which tune they would play next. There was very little chatting up the audience, until before the fourth song. Raichel said “Hello, Boston.” Touré asked, “How you doing?” and the audience roared.
Supplementing Eugene O’Neill’s high drama is a subtle score of music and sound created by Dewey Dellay, an Elliot Norton Award winner for Outstanding Design.
Emmanuel Music bought this neglected Mozart opera to life with polished musicianship and excellent singers.
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