Music
Forget the Superbowl and screw Valentine’s Day. There is too much great music happening in our corner of the country to waste time on such frivolous occasions. Will you need snow boots or sunscreen this month? Only time will tell! Just make sure you have some cash and your ID and you’ll be good to go.
Miguel Zenón and Catherine Russell digging deep into the Great Puerto Rican and African-American Songbooks, celebrations of Jimi Hendrix, Quincy Jones, and the Third Stream, and an impressive series of CD releases highlight the shortest month of the year.
John Adams’s Chamber Symphony brought out the best in Mr. Lewis as a conductor: it was fun watching him maneuver through the score’s intricate rhythmic patterns and his confidence was reflected by the Ensemble in a brash, involved reading of a far-too-little-heard (in these parts, at least) piece.
Discovery Ensemble is already the local ensemble to watch for their brilliant programming and energized performances. Now add to that their commitment to educational outreach and Boston’s underserved communities.
Vocalist Dee Dee Bridgewater’s exuberance proved contagious in this performance featuring a remarkable group of jazz all-stars under the genial direction of bassist Christian McBride.
For Langston fails on its own terms, which is to produce a moving, insightful, and in some sense accurate interpretation of the poetry of Langston Hughes.
Legendary music journalist Jules Siegel died of a heart attack on November 17, 2012 at the age of 77. There was no “New York Times” obituary, no mention in “Rolling Stone.” But to me, he was a rock star.
Musical quibbles aside, the performances on both albums from Boston Modern Music Project’s in-house label, BMOP/sound, are top-notch.
To describe the contents of the CD “Hywel Davies” as trivial is to be generous.
The Worcester Chamber Music Society’s latest concert was inspired by an ambitious concept and it was played with conviction, but the performance was continuously dogged by problems with acoustics.
Classical Music Commentary: Boston’s Lost Opportunity — How the BSO Board Chose Charles Munch over Leonard Bernstein