Music
The magic in Eliane Elias’s performances is in how easily she slips from one musical dialect into another.
Along with the legendary Peter Rowan, other multi-generational participants in this leg of the Sam Grisman Project tour are well versed in the bluegrass songbook.
A trio of superb albums run the stylistic gauntlet, from the traditional to the experimental.
The challenge for the Boston Pops in this program is obvious: combining the structure of orchestral music with the improvisational nature of Garcia’s work. On Tuesday, the pairing of rock band and orchestra proved to be uneven, groovy interludes interlaced with tentative patches.
Denis Kozhukin is an inspired guide to music geared toward young players by Sergei Prokofiev and Tchaikovsky; Cleveland Orchestra and Franz Welser-Möst serve up mixed rewards in performances of symphonies by Julius Eastman and Tchaikovsky.
I don’t know anything quite like Mehmet Ali Sanlikol’s Turko-jazz playing. (I invented the term.) I am glad it’s here for us to enjoy.
“American Excursions” manages — and in a brisk fifty-nine minutes — to provide an impressive degree of racial, gender, and stylistic diversity.
If any of these songs get some airplay and serve as gateway drugs to the glories of the Count Basie band, I’m all for it.
Two-plus hours of delight for anybody interested in Baroque opera, or willing to try it.
Suzanne Vega’s collection of 10 new original songs further solidifies and builds on her reputation as a unique talent among her generation of singer-songwriters.
Recent Comments