Jazz
What the few of us in Jordan Hall heard that night was a richly conceived and beautifully performed song cycle, mostly serious, but with some great wit in exactly the right places. It made for a fascinating and enlightening contrast to the CD version of “Vespers,” which Steve Lacy recorded in 1993.
Boston Conservatory’s New Music Festival is inspiring a series of commentaries from Fuse Jazz Critic Steve Elman. Here is his third installment, which focuses on Gunther Schuller, who has inspired at least four generations of artists and revitalized a venerable institution of higher musical learning.
Wondering about what to give the arts and culture lover on your gift list? No problem — the sage writers for The Arts Fuse (with an assist from our readers) come to the rescue with thoughtful suggestions.
Boston Conservatory’s New Music Festival is inspiring a series of critical and speculative commentaries from Fuse Jazz Critic Steve Elman. Here is the second, which focuses on The Fringe and some of the qualities that make the trio special in the world of jazz.
Boston Conservatory’s New Music Festival is inspiring a series of critical and speculative commentaries from Fuse Jazz Critic Steve Elman. Here is the first.
The Steve Kuhn – Sheila Jordan partnership has been one of the luckiest things ever to happen to either of them, or for us as listeners.
Anthony Wallace’s interview on last year’s John Coltrane Memorial Concert, which includes questions about a book on the musician’s spirituality, offers plenty to think about before the 2012 version of the homage to the master musician, which takes place on November 3rd.
Autumn hasn’t officially arrived yet, but the fall season of jazz is already ramping up. First up are Mexican vocalist Magos Herrera, saxophonist Evan Parker, and a tribute to the late Joe Maneri.
[Updated] The Beantown Jazz Festival kicks off this Friday evening, but the main event fills the afternoon of Saturday, October 24. Check out our recommendations below.

Arts Commentary: The Kennedy Center and the Boston Symphony Orchestra — A Tale of Two Crises