Classical Music
This splendid album offers ample proof that Henry Desmarest stands shoulder to shoulder with his major 17th century French contemporaries, Lully and Marin Marais.
Daniil Trifonov’s long-awaited return to Symphony Hall showed that he continues to embody the fullness of the great Russian pianistic legacy.
The pianist provided a 150-minute long procession of anecdotes, thoughts, and absolutely first-class playing for his adoring, thoroughly attentive audience, who happily bought tickets to hear whatever Sir András Schiff chose to play.
A world-premiere recording of Kurt Weill’s “Prophets” — originally intended as the last act of “The Eternal Road” — with excellent singers, plus Thomas Hampson in Weill’s Walt Whitman Songs.
The Emerson String Quartet concludes its recorded legacy pretty much the way it began it — in musical glory. Robert Trevino and the Orchestra Sinfonica Nazionale della RAI’s Respighi has plenty of spirit and heart.
A massive, comprehensive new box set once again shows us the diva’s indomitable place in the history of opera.
The concert, which along with the Elgar Violin Concerto also includes Rossini’s William Tell Overture and Beethoven’s Symphony No. 7, promises to be a momentous occasion for the ensemble.
A concert whose music served as a prayerful elegy for a world spinning out of control.
A captivating world-premiere recording of a work by the 21-year-old who would later conquer the operatic world with “Les Huguenots” and “L’Africaine.”
The fury H&H’s new artistic director Jonathan Cohen delivered in this performance made “Israel in Egypt” and its timeless story ring with renewed vigor.
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