Classical Music
The Bamberg Symphony Orchestra is a rare gem in the already star-studded crown of European ensembles.
“There’s nothing better to do on Friday night than hear this orchestra play. What else would people do that would be better? Of course, people get very excited about the sports teams – and most of them lose. But this orchestra never loses. It wins every game!”
Ultimately, on some level, the Boston Philharmonic Orchestra’s performance of Bruckner Ninth functioned as a study in approaching the unknown (and unknowable) with humility.
The music of Icelandic composer Anna Thorvaldsdottir embraces the elemental, and the Boston Symphony Orchestra skillfully waded into its searching mystery.
The Cambridge Symphony Orchestra’s recent performance supplied drama, vigor, and reflection.
The Portland Youth Philharmonic’s East Coast tour allows the ensemble, whose membership is mostly drawn from the city of Portland, and its nearby suburbs, to showcase their artistry in venues that will do them sonic justice, including Worcester’s Mechanics Hall.
The Sinfonia of London and Susanna Mälkki with the Helsinki Philharmonic Orchestra release recordings filled with color and beauty.
The shamefully belated release of the first recording (1992!) of “L’olimpiade,” a major work by Hasse (a renowned contemporary of Handel and Vivaldi), featuring some of the best singers of the day, including male soprano Randall K. Wong.
Much-loved short works by Pergolesi and Mozart storm the stage, thanks to spiffy French dialogue between the musical numbers.
Rejected in Gluck’s time because it lacked dramatic thrust, today “Écho and Narcissus” proves to be a candy-box of delights.
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