Classical Music
October offers an embarrassment of musical riches. The Boston Symphony Orchestra, without a music director, is still putting on impressive programs, including several this month.
A Far Cry’s youthful exuberance is no doubt one of the most important keys to its egalitarian vision, but a good share of the credit is due to intelligence, vision, and carefully-honed and finely-tuned musicianship.
The Lexington Symphony is a far more professional orchestra than the typical community orchestras around Boston (Newton Symphony, Waltham Symphony, Brookline Symphony, the Longwood Symphony) and the level of playing was high indeed.
A busy month in New England, with at least two classical music traditions kicking off the season in Boston: Longy School of Music’s free SeptemberFest and Fenwick Smith’s 35th annual flute recital at Jordan Hall (Sept 4 @ 3p.m.).
Most classical music continues to take place out of town at festivals in lovely, pastoral settings throughout New England. And while most of these gatherings have several interesting concerts worth noting, the BSO at Tanglewood still has the lion’s share of ear-worthy happenings. By Susan Miron. Wednesday Concert Series offers free classical music each Wednesday…
Every musician brings his idiosyncratic personality to his (or her) playing, and yet, even after four big pieces, I was not sure what Russell Sherman’s non-piano or piano personality was.
On CD, the award-winning Emerson String Quartet are terrific, but live, they are even better.
For those who imagine Tanglewood only as concerts in the huge shed which seats 6,000, these Sunday morning concerts offer a more intimate experience as well as a chance to hear modern pieces they never would hear in what we all call the “regular concert fare,”
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