Classical Music
The New Century Chamber Orchestra’s ability to vividly bring to life music of delicate character was on full display in this concert, part of the 152nd Worcester Music Festival.
The Boston Lyric Opera’s new production of “Macbeth,” with sets designed by John Conklin, is based on elements of a New York City Opera production and plays up the macabre elements of the story, which are many.
Boston’s Cantata Singers opens its 48th season with an eclectic musical mix of the Baroque and the Modern.
After intermission, Mr. Lang closed the concert with Frederic Chopin’s Twelve Etudes (Op. 25). This is music in which Mr. Lang is completely in his element, and his performance of these fearsomely difficult pieces was a marvel of extraordinary technical skill.
There was a memorial service for Caldwell Titcomb, invaluable friend of the arts in New England, yesterday in the Memorial Church at Harvard University. He passed away on June 12th of leukemia at the age of 84. The ceremony was moving and heartfelt, with memories shared about Caldwell as a friend, composer, critic, grammarian, teacher, brother, long-time President of the Elliot Norton Awards, and researcher in African-American history.
It’s “Mahler Unleashed” month at the New England Conservatory. I heartily recommend all of the “Mahler Unleashed” events.
As one of the most highly esteemed countertenors in the opera world today, Andreas Scholl did not disappoint, but radiated confidence and sincerity in his interpretations of some of Purcell’s most beautiful music.
Throughout his career, conductor Kurt Masur has focused primarily on conducting the standard German repertoire, and now, at age 84, his mastery and understanding of this music is unmatched.
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