Classical Music

Opera Review: An Uneven “Clemency” at the Boston Lyric Opera Annex

February 9, 2013
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Composer James MacMillan’s musical strategy in this opera is a stylistic patchwork that seems to mean to convey that each character inhabits a different, mutually misunderstood world.

Concert Review: Renée Fleming and Susan Graham at Symphony Hall

February 6, 2013
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In an effort to give the proceedings an intimate, salon feel, the Symphony Hall stage was dotted with a couple of potted plants, three armchairs, and a pair of music stands; the cavernous environ of the space was still very much present, but one appreciated the effort to minimize it, even if only partially successful.

Concert Review: Discovery Ensemble at Sanders Theater

February 2, 2013
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John Adams’s Chamber Symphony brought out the best in Mr. Lewis as a conductor: it was fun watching him maneuver through the score’s intricate rhythmic patterns and his confidence was reflected by the Ensemble in a brash, involved reading of a far-too-little-heard (in these parts, at least) piece.

Classical Commentary: Breaths of Fresh Air — Discovery Ensemble’s Educational Outreach Programs

February 2, 2013
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Discovery Ensemble is already the local ensemble to watch for their brilliant programming and energized performances. Now add to that their commitment to educational outreach and Boston’s underserved communities.

Jazz Review: Monterey Jazz Festival on Tour — A Band of Virtuosic Veterans

February 2, 2013
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Vocalist Dee Dee Bridgewater’s exuberance proved contagious in this performance featuring a remarkable group of jazz all-stars under the genial direction of bassist Christian McBride.

Classical CD Review: Two New Releases from BMOP/sound — An Indispensable Label for American Composers

January 24, 2013
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Musical quibbles aside, the performances on both albums from Boston Modern Music Project’s in-house label, BMOP/sound, are top-notch.

Classical CD Review: “Hywel Davies” — Repetitions of the Undeveloped

January 24, 2013
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To describe the contents of the CD “Hywel Davies” as trivial is to be generous.

Classical Concert Review: Worcester Chamber Music Society’s “The White House Concert and Beyond” at the Worcester Art Museum

January 16, 2013
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The Worcester Chamber Music Society’s latest concert was inspired by an ambitious concept and it was played with conviction, but the performance was continuously dogged by problems with acoustics.

Classical Music Review: Three Autumnal Schubert Sonatas

January 14, 2013
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From the moment he began to play, pianist Paul Lewis established his authority. His performance was spellbinding and eloquent, animated by a respect for precision and rhythmic clarity.

Classical Music Review: Julian Rachlin and the Boston Symphony Orchestra/Alan Gilbert

January 11, 2013
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Julian Rachlin is a Romantic violinist in the best sense: he has technique to burn, but isn’t overly showy. His tone is pure, his intonation impeccable, and in his playing the melodic line is – even in the busiest solo textures – given pride of place.

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