Classical Music
Dame Emma, now sixty-four, sat and sang just quietly enough and with the right measure of mystery and stillness to draw the audience in, and to keep them there in a trance.
Updated with new theater and classical music recommendations. Arts Fuse critics select some of the most promising in music, theater, and film for the coming week. A new feature!
Arts Fuse critics select some of the most promising in music, theater, and film for the coming week. A new feature!
Arts Fuse critics select some of the most promising in music, theater, and film for the coming week. A new feature!
Two new albums from BMOP Sound reflect the considerable artistry and vision of Gil Rose and the Boston Modern Orchestra Project.
A round-up review of new releases from Harmonia Mundi — an invigorating crop of albums.
The last Chameleon Arts Ensemble performance of this season, “mystic moons and dream music,” promised much, with three famed masterpieces by Debussy, Stravinsky, and Schoenberg.
This Judicial Review deals with the Boston premiere of John Harbison’s opera version of F. Scott Fitzgerald’s novel The Great Gatsby. Read the reactions and join the conversation.
The idea of house concerts seems to be getting some legs. The “fabulous world headquarters loft of Accurate Records” again plays host, this time to the eclectic San Francisco band, Mercury Falls.
Despite its aura of “Gidget Goes Hawaiian,” and the profusion of cute props like rubber duckies and ukeleles, The Hypocrites’ production is smart enough not to mess (too much) with the original score and lyrics.
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