Classical Music
This was was a truly memorable afternoon at Symphony Hall, filled with interesting programming decisions and exciting revelations.
The conceit of this disc is both nostalgic and old-fashioned.
With its Opera Annex productions – presenting unfamiliar operas in unconventional performance spaces – Boston Lyric Opera really seems to have found its niche.
Under Michael Tilson Thomas’s leadership, the San Francisco Symphony Orchestra’s sound has been refined and tightened; its repertoire has grown to embrace American music of all stripes.
Saturday’s attendance hopefully warms the hearts of the BSO’s management. Not only was the house very full, but the assembly also included a healthy proportion of younger heads.
Pianist Richard Goode provided everything that is asked of a Beethoven master: color, infinite shadings, interesting, convincing tempi, and soul.
Quibbles about some characteristics of the new pieces aside, hats off to Richard Pittman and the New England Philharmonic for daring to present a program like this..
Isango’s Magic Flute/ Impempe Yomlingo is lit by flashes of brilliance. Most can be traced directly to Mandisi Dyantyis’ reorchestration of Mozart’s orchestral score for an ensemble of marimbas.
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