Classical Music
Howard Hersh hails from northern California, and, as in John Adams’ “City Noir,” the music on Hersh’s album, “Angels and Watermarks,” embraces polyglot West Coast culture in various ways.
Read MoreWhile 1962’s Symphony owes a clear debt to Stravinsky and Britten (especially its last movement), it sounds like nobody but Irving Fine. This is a score that orchestras ought to be lining up to play.
Read MoreIn a world populated by talented pianists, James Brawn is a standout. He’s not just a virtuoso, but also a probing, thoughtful musician with strong, creative programming instincts.
Read MoreIn both appearances here, courtesy of the Celebrity Series, Deborah Voigt was sensational and very likable to boot. This cannot be said of all divas.
Read MoreAt this point, violinist Xiang Yu sounds like a mature artist ready to commence a major career.
Read MoreTenor Nicholas Phan and pianist Myra Huang are a superb duo, and the pair’s recital was easily one of the highlights of this year’s concert season.
Read MoreConductor Charles Dutoit seems to have little affinity for Mahler’s distinctive style.
Read MorePraise is due Peggy Pearson and Winsor Music for providing a forum for the talented young composer Lev Mamuya.
Read MoreThe Discovery Ensemble’s precision was also on full display in the vigorous contrapuntal writing that came across with impressive, electrifying energy and visceral punchiness.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues