Opera
Two-plus hours of delight for anybody interested in Baroque opera, or willing to try it.
Pietro Auletta’s “L’Orazio” (1737), with substitute arias by other composers, gets a first-rate performance from the renowned Valle d’Itria Festival.
Ferruccio Busoni’s century-old (or -young) Doktor Faust, inspired by Christopher Marlowe and other pre-Goethe sources, offers a fascinatingly hellish ride.
A renowned 18th-century master struts his stuff, helped by a skillful young Italian tenor, in an opera first performed in Russia.
“I wanted, with this opera, to see if audiences and collaborators could feel something about our changing weather, in an artistic space.”
Another excellent recording from the “Rossini in Wildbad” festival, with spellbinding vocal performances by Congolese tenor Patrick Kabongo and other powerful young singers.
Any opera lover will find much to admire and enjoy in this work, based on a famous 27-strophe poem by Friedrich Schiller that Schubert set in its entirety to music.
I encourage anybody interested in the current state of opera to get to know Michael Dellaira’s “The Leopard”.
The opera repertory is so much richer than what gets staged nowadays; many of the most exciting recordings that came my way are of somewhat or entirely forgotten operas from past eras.
The only serious flaw in Boston Lyric Opera’s stripped-down staging approach to Aida was that not all the participants were quite up to the organization’s usual standards.
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