Film

Film Review: An Exquisitely Haunting “Amulet”

July 31, 2020
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This debut film from Romola Garai is to be commended on all levels: its technical proficiency, its aesthetic beauty, its affecting and unusual story, and its stand out performances.

Film Review: More Movies to Watch While Sheltering in Place — It’s Stir-Crazy 7

July 28, 2020
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Five more feature films of great interest and their links, carefully chosen to get you through the continuing travails of the coronavirus.

Film Review: “The Rental” — Low Rent B and B Horror

July 25, 2020
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The Rental chugs along predictable genre rails, its characters settling into the expected “types” as screws are gradually turned on them by whoever’s surveilling from a distance.

Film Review: “Helmut Newton: The Bad and the Beautiful” — Naughty or Nice?

July 24, 2020
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In this documentary, the photographer and his art are not so much defended as explained through the voices of the world’s top models and movie icons with whom he worked.

Film Feature: The Salem Film Festival — Virtual, and as Vital as Ever

July 24, 2020
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Filmgoers hankering for some excellent and exciting new documentary features and shorts should check out the Salem Film Festival, which has gone online.

Film Reconsideration: Greta Garbo — 30 Years After Her Death

July 20, 2020
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Women’s maltreatment for 3,000 years registers on Greta Garbo’s tragic visage, whether she is Anna Christie, Camille, or Queen Christina.

Film Review: “The Painted Bird” — A Memorable Vision of the Worst That Can Be Imagined

July 18, 2020
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The Painted Bird is a coming-of-age story populated by the worst of humankind.

Film Review: Writer Flannery O’Connor — A Singular and Mysterious Consciousness

July 16, 2020
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With its many virtues, Flannery isn’t the perfect film biography. It’s a shoot-by-the-numbers conventional PBS American Experience.

Arts Reconsideration: “Pinocchio” at 80

July 12, 2020
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Now that the real live boy is an old man, how’s he holding up in 2020?

Film Review: “Relic” — The Future Is Female, and So Is the Past

July 11, 2020
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Relic draws on the debilitations of both time and space: the inevitable aging of the body and the places we call home, the inescapable repositories of memories, regrets, and the unknown.

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