Film
“I don’t like writers. . . . Writers are very despicable people. Plumbers are better. Used car salesmen. They’re all more human than writers.”
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Hollywood Babylon II is almost as addictive, seductive, compulsively page-turning as its inglorious Hollywood Babylon predecessor..
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La Llorona’s deepest horrors flow from real history, from the atrocities inflicted by powerful men and the institutions established to ensure they get away with it.
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While there’s plenty of wistful romance and character-driven conflict to keep Summerland rolling along, the narrative isn’t exactly plausible.
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Filmmaker Oliver Stone’s memoir is an exhilarating primer for anyone who wants to understand his reputation as a writer and director.
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The documentary is about “the power of the community and how rock and roll, and music in general, is worth fighting for: sometimes that means doing it yourself.”
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It gradually became clear to me by the mid-’80s that Alan Parker films were, more than those of any other filmmaker, an integral part of my identity as a film lover.
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She Dies Tomorrow marries the avant-garde with slice of life, jumping from death throes to conversations about dolphin sex over full glasses of red wine.
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This debut film from Romola Garai is to be commended on all levels: its technical proficiency, its aesthetic beauty, its affecting and unusual story, and its stand out performances.
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Critical Commentary: The Shaky Life of a Film Critic
Cinema reviewing exists as a respected profession only as long as the traditional role of the critic is honored.
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