Film
Feels Good Man is a provocative, entertaining, and moving documentary about an artist trying to retain his identity along with the innocence of the cartoon character he created.
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You may not know what you’re feeling or what to think about what you’ve seen afterward. This is a rare experience in cinema to be savored, or at the very least highly valued.
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In wrapping up Fantasia, I focused on The Five Rules of Success, Come True, and The Dark and the Wicked, three ambitious genre titles that have stuck with me long since their credits rolled.
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This thoughtful study offers a worthwhile critical perspective on Werner Herzog, one of the world’s great living film artists.
Aside from making generalities about “making good photographs” and “earning a living,” celebrated photographer Elliott Erwitt steadfastly refuses to be drawn out.
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Movies, great or awful, are essential comforts in these nightmarish times. And in my second dispatch of the Fantasia fest, I bring better tidings.
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Unhinged is one of the most violent films I’ve seen in recent memory where there is no excessive gun play. But who needs bullets when you are driving a two ton projectile powered by an endless, roiling fount of rage?
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I’m Thinking of Ending Things is a bit of a wonder, a careful nightmare that demands rapt attention even if repeated viewings do little to assuage its eeriness.
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The cinema verite masterpiece is among the first non-fiction theatrical features to chronicle “regular” people going about their everyday lives.
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The Mortuary Collection is a dark diamond in the rough of this year’s Fantasia so far, a canny ode to horror history that pays respect to its elders without appearing dated or derivative.
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Arts Feature: Best Movies (With Some Disappointments) of 2025