Film
The Museum of the Revolution resonates with other powerful documentaries that feel like fairy tales set in a dangerous world.
The first American release of a 1961 Italian comic treasure that spoofs corruption in postwar Italy.
Multiplication and division in two disparate films (and one short story)
Wildly imperfect but intriguingly ambiguous, the film’s flaws and contradictions are a virtue because its purported saintly hero is so hard to pin down.
The Eight Mountains offers peak entertainment.
There is little doubt that Joyland‘s subject matter is what drew international attention.
It features fine performances, but the comedy-drama, You Hurt My Feelings avoids placing too much on the line. It exists in a comfortable middle ground — nothing is ever taken to an extreme.
The dehumanization in The Little Mermaid is not just a matter of the absence of craft; at heart, this is a cynical investment that can’t transcend its craven essence.
Director Ryan Stevens Harris talks about his stunningly cinematic home-grown labor of love, Moon Garden.
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