Film
As these two films at the Wicked Queer Doc Fest indicate, being non-hetero-normative in a patriarchal society is unavoidably a political statement.
The film beautifully captures a dreamy-nightmare aesthetic, suggesting that Priscilla’s life with Elvis was turbulent roller coaster of romantic highs and materialistic hollowness.
Director Alexander Payne and star Paul Giamatti excel at this kind of character-driven comedy/drama.
The Adams Family may be a low budget regional filmmaking collective, but it continues to raise the bar on horror art cinema.
A rundown of some of the strange and beautiful movies screened in Warsaw. Let’s hope they are scheduled for a digital and theatrical release in the United States.
A pair of documentaries featured in this year’s Arlington International Film Festival take a cold look at the death cult of fascism — past, present, and to come.
Under the guidance of Artistic Director Lisa Gossels, this year’s fest has, in her words, “something for everyone.”
In a time of outrage and grief, a trio of documentaries at the BJFF serve as a reminder of the traditional Jewish values of compassion and inclusion, reaffirming the power of activism, art, and simple acts of human kindness.
This thoughtful documentary watches cinemas vanish from a Brazilian city.
“Killers of the Flower Moon” is an exercise in kaleidoscopic, cubist storytelling that is, among other things, an epic on the art of the grift.
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